Zaknafein Do'Urden (
hiding_honor_in_darkness) wrote in
synopsychic2017-02-03 10:10 pm
Entry tags:
angry murderelf is angry
I seek a sparring partner.
Use whatever weapon you desire. I will will not be wielding any.
Use whatever weapon you desire. I will will not be wielding any.

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Still, the human puts up a good fight and seems to have a very high pain tolerance. He sucks and weaves around blows, but when he's hit he tends to move into the attack to try and force the drow off balance, or grapple with him.
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When the human starts trying to barrel into him, Zak changes his offensive tactics. Rather than coming head on, he starts attacking the vigilante's limbs directly, hitting pressure points to send momentary but crippling pain up his arms.
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He switches styles abruptly, the furious and brutal aggression turned to a more defensive approach. He does his best to stay out of Zaknafein's reach, giving his body time to recover, the feeling to return to his limbs while he studies how the drow moves.
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He appreciates that Rorschach isn't holding back, and before long he actually starts to look like he's enjoying himself. His slender, muscled form darts and stalks around not unlike his son's panther companion. Sweat shimmers on the skin of his exposed arms and face, giving him the look of polished ebony. A living shadow that does everything in it's power to keep the vigilante from finding any true moment of rest.
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They're a curious study in contrasts. Zaknafein is nothing short of beautiful, in his graceful movement, in the glorious midnight shine of his skin, in the perfection of his musculature, in the flow of his moonlight hair. Rorschach is so much his opposite - ugly, brutal and abrupt in his movement with an uneveness lent by exhaustion, pale, freckled skin flushed and blotchy and not made the tiniest bit more lovely by a sheen of sweat. But the human has no time to compare, to bother with such an entirely trivial thing as appearance when he has to dodge the next strike, when he has to counter and weave and dodge and pant.
Of course, that doesn't mean he isn't taking in the full impact of the drow's darkly masculine beauty. It simply means he isn't consciously processing it, isn't agonizing over any reaction he might have to it, isn't bothering to hate himself or deny that he notices. It's just a part of the background as he fights as though this is more than a sparring match, as though something much more solid than his dignity or pride is on the line. Zaknafein may well have to knock this one out before he quits.
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The imperfections of his body are meticulously hidden, the few scars on his arms a pale shadow to the hateful, twisting ruin of his chest and back. These imperfections mark him as flawed, something to hide. His son has been trying to get him to view his scars as symbols of all he's survived. Though in truth, he had not survived them at all.
The former weapons master knows fighters. He's trained a great many soldiers in his time and fought and incalculable amount of battles. He can tell that this one isn't going to let up despite pain and exhaustion. While he doesn't know what's spurning him on in this case. Hatred perhaps? Or are they similar enough that they're both seeking oblivion through battle.
Perhaps it's lucky that they're not using weapons as he hits a point of no return, blades in hand his warrior's instinct would have had Rorschach left in pieces on the floor. Zaknafein Do'Urden doesn't take prisoners. The style he's using now, that's been encoded into his brain, is not designed for all out slaughter. This principals of harmony, circle, and water still shine through his movements, but he's not making any attempts to lock his opponant down to the floor.
Instead he keeps going for the pressure points, chest, shoulders, the side of his head as he pushes Rorschach's momentup away from him.
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Though that's not quite true, is it? There's Riddick, Gale, Lupa ... Faed. "Mostly."
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And training with the elf would allow him more times like this, times to turn his brain off and just live in the physical moment, focused on pain and sweat.
"Yes."
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"Where did you learn?"
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"After that it was a matter of experience."
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"Hurm," is all he says, before bending over to pick up the coat he'd set aside earlier.
"When?" he asks then, though doesn't indicate what he's asking about, specifically.
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He responds, without skipping a beat.