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truerevelation[The transmission that bursts onto the psychic network after the restoration of Backstage begins is a strange one. For one thing, there's no active 'vocal' component at all. Instead, it's a mash-up of brief glimpses from a visual livestream - though one that seems oddly busy and filled with feelings - and flashes from memories.
The memory components, while somewhat scattered and choppy, focus on four subjects or groups of subjects. Conductors and Cantors at work, mostly the latter, and snatches of Cantors' songs. Diabolin and Synths, both as Dreamers and awake... and flashes of the streets of Aratta, the elevator, and the image of the Snowflake macrochip.
The last group of images is followed by a sensation of fury where the other sets are followed by affection. Glimpses of recollections of things looking damaged and being repaired creep in, too.
The livestream itself sees the viewpoint focusing on groups of three objects, then on an individual of the same kind then on a group of four; or on Spirit Companions and Volksgeists going about their work Backstage. (Sometimes that's Yoru, with the bat looking more than a little confused to anyone paying closer attention than the transmitter is.)
The viewer doesn't always seem to be focused on the same topics, but when the transmission strays elsewhere it's with a sense of connection to the greater whole. This person knows what they're looking at, at least.]
--
( Later on, after a couple of days have passed, there's a followup - Kanji, sounding a little sheepish. )
The memory components, while somewhat scattered and choppy, focus on four subjects or groups of subjects. Conductors and Cantors at work, mostly the latter, and snatches of Cantors' songs. Diabolin and Synths, both as Dreamers and awake... and flashes of the streets of Aratta, the elevator, and the image of the Snowflake macrochip.
The last group of images is followed by a sensation of fury where the other sets are followed by affection. Glimpses of recollections of things looking damaged and being repaired creep in, too.
The livestream itself sees the viewpoint focusing on groups of three objects, then on an individual of the same kind then on a group of four; or on Spirit Companions and Volksgeists going about their work Backstage. (Sometimes that's Yoru, with the bat looking more than a little confused to anyone paying closer attention than the transmitter is.)
The viewer doesn't always seem to be focused on the same topics, but when the transmission strays elsewhere it's with a sense of connection to the greater whole. This person knows what they're looking at, at least.]
--
( Later on, after a couple of days have passed, there's a followup - Kanji, sounding a little sheepish. )
